Singapore Biennale 2025, ‘pure intention’: Building Blocks | Essay | Online | Jom | Mar 2026

Haptic Projections: Azian Nurudin’s ‘Wicked Radiance’ | Essay | Print | Second Thoughts by Queer East | Feb 2026

Maggie O’Farrell on Grief, Her History with Shakespeare, and Adapting Her Novel to the Screen | Interview | Online | Literary Hub | Feb 2026

271 Bayintnaung Road, Yangon, Myanmar: A Waiting Room, A Whole World: Midi Z’s ‘The Clinic’ | Essay | Print | Sine Screen | Jan 2026

Tokyo International Film Festival 2025 Dispatch — Part Two | Feature | Online | MARG1N Magazine | Jan 2026  

Tokyo International Film Festival 2025 Dispatch — Part One | Feature | Online | MARG1N Magazine | Jan 2026  

Internal Affairs: 27 with Frances and Maureen in ‘Frances Ha’ and ‘Personal Shopper’ | Feature | Print | Beneficial Shock | Oct 2025

All-Night Vigils: Vittorio de Seta’s ‘Isole di fuoco’ | Feature | Print | Outskirts Magazine | Aug 2025

Micro History of Cine-Clubs: On fff.forever with Judith Tong | Interview | Print | Exposure | Jul 2025

Kampung Film Festival 2025: Oceanic Feeling | Essay | Online | Film Comment | Jun 2025

Four Verses for the Sound of Sand | Essay | Print | MARG1N Magazine | May 2025

The Sun, My Friend: Apichatpong Weerasethakul’s ‘A Conversation with the Sun’ | Review | Online | Art & Market | Apr 2025

Kimi Takesue’s Handmade Films | Interview | Online | Asian Film Archive | Mar 2025

“Comradeship Compels It”: Jason Soo on the Challenges of Making and Releasing ‘Al Awda’ | Interview | Online | Documentary Magazine | Jan 2025

Home, Interrupted: A Locarno Critics Academy Correspondence | Essay | Online | MUBI Notebook | Sep 2024

It Should Happen to You | Review | Print & Online | Locarno Pardo Daily | Aug 2024

Iva Radivojevic’s 1992-Set Forced Migration Story ‘When the Phone Rang’: ‘This Kind of Displacement Is Happening Everywhere’ | Feature | Online | Variety | Aug 2024

Daniel Hui: “I is Another” | Profile | Print & Online | Mekong Review | Aug 2024

Supernatural Sticker Sisterhood: Amanda Nell Eu on ‘Tiger Stripes’ | Interview | Online | In Review Online | Jun 2024

A Storm, Mallet and Duck at Home Movie Day Singapore 2023 | Essay | Online | Singapore Film Society | May 2024

The Scent of Polycarbonate | Essay | Print | MARG1N Magazine | Mar 2024

The Actors are Present: Conversations with the Boys of ‘Tomorrow is a Long Time’ | Interview | Online | Singapore Film Society | Dec 2023

Existential Booksellers and Filmmakers in ‘Polan’ and ‘Your Lovely Smile’ | Essay | Online | Singapore Film Society | Nov 2023

Park Chan Wook’s ‘Trio‘: Two women stare down the barrel of a gun | Review | Online | Eastern Kicks | Jun 2023

Anthony Chen Breaks, Drifts, and Finds Proof | Interview | Online | Singapore Film Society | May 2023

Far East Film Festival: Southeast Asian Round-up | Feature | Online | New Straits Times | May 2023

Projectionists | Photo Essay | Print & Online | SGIFF Atlas Vol. 1 | Apr 2023

Silence is Profane | Essay | Print & Online | SGIFF Atlas Vol. 1 | Apr 2023

Berlinale Check-In: How a Catfish and Kid Stand Up to a Dictator | Essay | Online | Singapore Film Society | Mar 2023

Berlinale Check-In: ‘Sun and Concrete’ at a Correctional Facility | Essay | Online | Singapore Film Society | Feb 2023

The Right to Rest: Jow Zhi Wei’s ‘Tomorrow is a Long Time’ | Profile | Online | Singapore Film Society | Feb 2023

Emulsions Between Women and the Sea | Essay | Online | Singapore Film Society | Jan 2023

Entropic Depictions of the Walk of Life | Essay | Online | Asian Film Archive | Nov 2022

Communal Projections for Home Movie Networks in Singapore | Essay | Online | Sinema | Nov 2022