about    film writing    editorial    programming    film work    correspondence




ARTICLE TITLE | TYPE | PUBLICATION | MONTH/YEAR OF PUBLICATION


The Sun, My Friend: Apichatpong Weerasethakul’s ‘A Conversation with the Sun’ | Review | Art & Market | Apr 2025

Kimi Takesue’s Handmade Films
| Interview | Asian Film Archive
| Mar 2025

“Comradeship Compels It”: Jason Soo on the Challenges of Making and Releasing ‘Al Awda’ | Interview | Documentary Magazine | Jan 2025

Home, Interrupted: A Locarno Critics Academy Correspondence | Essay | MUBI Notebook | Sep 2024

It Should Happen to You | Review | Locarno Pardo Daily | Aug 2024

Iva Radivojevic’s 1992-Set Forced Migration Story ‘When the Phone Rang’: ‘This Kind of Displacement Is Happening Everywhere’ | Feature | Variety | Aug 2024

Daniel Hui: “I is Another” | Profile | Mekong Review | Aug 2024

Supernatural Sticker Sisterhood: Amanda Nell Eu on ‘Tiger Stripes’ | Interview | In Review Online | Jun 2024

A Storm, Mallet and Duck at Home Movie Day Singapore 2023 | Essay | Singapore Film Society | May 2024

The Scent of Polycarbonate | Essay | MARG1N Magazine | Mar 2024

The Actors are Present: Conversations with the Boys of ‘Tomorrow is a Long Time’ | Interview | Singapore Film Society | Dec 2023

Existential Booksellers and Filmmakers in ‘Polan’ and ‘Your Lovely Smile’
| Essay | Singapore Film Society | Nov 2023

Antiphony: ‘Nameless Syndrome’ and ‘Vinegar Baths’ | Public Speaking | Objectifs | Sep 2023

Park Chan Wook’s ‘Trio‘: Two women stare down the barrel of a gun | Review | Eastern Kicks | Jun 2023

Anthony Chen Breaks, Drifts, and Finds Proof | Interview | Singapore Film Society | May 2023

Far East Film Festival: Southeast Asian Round-up | Feature | New Straits Times | May 2023

Projectionists | Photo Essay | SGIFF Atlas Vol. 1 | Apr 2023

Silence is Profane
| Essay | SGIFF Atlas Vol. 1 | Apr 2023

Berlinale Check-In: How a Catfish and Kid Stand Up to a Dictator | Essay | Singapore Film Society | Mar 2023

Berlinale Check-In: ‘Sun and Concrete’ at a Correctional Facility | Essay | Singapore Film Society | Feb 2023

The Right to Rest: Jow Zhi Wei’s ‘Tomorrow is a Long Time’ | Profile | Singapore Film Society | Feb 2023

Emulsions Between Women and the Sea | Essay | Singapore Film Society | Jan 2023

Entropic Depictions of the Walk of Life | Essay | Asian Film Archive | Nov 2022

Communal Projections for Home Movie Networks in Singapore | Essay | Sinema | Nov 2022