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ARTICLE TITLE | TYPE | PUBLICATION | MONTH/YEAR OF PUBLICATION
The Sun, My Friend: Apichatpong Weerasethakul’s ‘A Conversation with the Sun’ | Review | Art & Market | Apr 2025
Kimi Takesue’s Handmade Films | Interview | Asian Film Archive | Mar 2025
“Comradeship Compels It”: Jason Soo on the Challenges of Making and Releasing ‘Al Awda’ | Interview | Documentary Magazine | Jan 2025
Home, Interrupted: A Locarno Critics Academy Correspondence | Essay | MUBI Notebook | Sep 2024
It Should Happen to You | Review | Locarno Pardo Daily | Aug 2024
Iva Radivojevic’s 1992-Set Forced Migration Story ‘When the Phone Rang’: ‘This Kind of Displacement Is Happening Everywhere’ | Feature | Variety | Aug 2024
Daniel Hui: “I is Another” | Profile | Mekong Review | Aug 2024
Supernatural Sticker Sisterhood: Amanda Nell Eu on ‘Tiger Stripes’ | Interview | In Review Online | Jun 2024
A Storm, Mallet and Duck at Home Movie Day Singapore 2023 | Essay | Singapore Film Society | May 2024
The Scent of Polycarbonate | Essay | MARG1N Magazine | Mar 2024
The Actors are Present: Conversations with the Boys of ‘Tomorrow is a Long Time’ | Interview | Singapore Film Society | Dec 2023
Existential Booksellers and Filmmakers in ‘Polan’ and ‘Your Lovely Smile’ | Essay | Singapore Film Society | Nov 2023
Antiphony: ‘Nameless Syndrome’ and ‘Vinegar Baths’ | Public Speaking | Objectifs | Sep 2023
Park Chan Wook’s ‘Trio‘: Two women stare down the barrel of a gun | Review | Eastern Kicks | Jun 2023
Anthony Chen Breaks, Drifts, and Finds Proof | Interview | Singapore Film Society | May 2023
Far East Film Festival: Southeast Asian Round-up | Feature | New Straits Times | May 2023
Projectionists | Photo Essay | SGIFF Atlas Vol. 1 | Apr 2023
Silence is Profane | Essay | SGIFF Atlas Vol. 1 | Apr 2023
Berlinale Check-In: How a Catfish and Kid Stand Up to a Dictator | Essay | Singapore Film Society | Mar 2023
Berlinale Check-In: ‘Sun and Concrete’ at a Correctional Facility | Essay | Singapore Film Society | Feb 2023
The Right to Rest: Jow Zhi Wei’s ‘Tomorrow is a Long Time’ | Profile | Singapore Film Society | Feb 2023
Emulsions Between Women and the Sea | Essay | Singapore Film Society | Jan 2023
Entropic Depictions of the Walk of Life | Essay | Asian Film Archive | Nov 2022
Communal Projections for Home Movie Networks in Singapore | Essay | Sinema | Nov 2022
Kimi Takesue’s Handmade Films | Interview | Asian Film Archive | Mar 2025
“Comradeship Compels It”: Jason Soo on the Challenges of Making and Releasing ‘Al Awda’ | Interview | Documentary Magazine | Jan 2025
Home, Interrupted: A Locarno Critics Academy Correspondence | Essay | MUBI Notebook | Sep 2024
It Should Happen to You | Review | Locarno Pardo Daily | Aug 2024
Iva Radivojevic’s 1992-Set Forced Migration Story ‘When the Phone Rang’: ‘This Kind of Displacement Is Happening Everywhere’ | Feature | Variety | Aug 2024
Daniel Hui: “I is Another” | Profile | Mekong Review | Aug 2024
Supernatural Sticker Sisterhood: Amanda Nell Eu on ‘Tiger Stripes’ | Interview | In Review Online | Jun 2024
A Storm, Mallet and Duck at Home Movie Day Singapore 2023 | Essay | Singapore Film Society | May 2024
The Scent of Polycarbonate | Essay | MARG1N Magazine | Mar 2024
The Actors are Present: Conversations with the Boys of ‘Tomorrow is a Long Time’ | Interview | Singapore Film Society | Dec 2023
Existential Booksellers and Filmmakers in ‘Polan’ and ‘Your Lovely Smile’ | Essay | Singapore Film Society | Nov 2023
Antiphony: ‘Nameless Syndrome’ and ‘Vinegar Baths’ | Public Speaking | Objectifs | Sep 2023
Park Chan Wook’s ‘Trio‘: Two women stare down the barrel of a gun | Review | Eastern Kicks | Jun 2023
Anthony Chen Breaks, Drifts, and Finds Proof | Interview | Singapore Film Society | May 2023
Far East Film Festival: Southeast Asian Round-up | Feature | New Straits Times | May 2023
Projectionists | Photo Essay | SGIFF Atlas Vol. 1 | Apr 2023
Silence is Profane | Essay | SGIFF Atlas Vol. 1 | Apr 2023
Berlinale Check-In: How a Catfish and Kid Stand Up to a Dictator | Essay | Singapore Film Society | Mar 2023
Berlinale Check-In: ‘Sun and Concrete’ at a Correctional Facility | Essay | Singapore Film Society | Feb 2023
The Right to Rest: Jow Zhi Wei’s ‘Tomorrow is a Long Time’ | Profile | Singapore Film Society | Feb 2023
Emulsions Between Women and the Sea | Essay | Singapore Film Society | Jan 2023
Entropic Depictions of the Walk of Life | Essay | Asian Film Archive | Nov 2022
Communal Projections for Home Movie Networks in Singapore | Essay | Sinema | Nov 2022