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2022 - 



by



sasha han


seeks to reify the fugitive effects of looking through language. 
broadly, she is interested in the circulation of images in 
southeast asia and its potential for resistance. she has been part 
of critics labs in locarno film festival, far east film festival 
and the singapore interntional film festival. her writing has been 
published by the Asian Film Archive, Documentary Magazine, MARG1N Magazine, 
Mekong Review, MUBI Notebook and the Singapore Film Society.

ig & twitter: @old_so_and_so





coming up: marg1n issue 2 & 3